Second Hand With 11 DSP variations of saw, square, and pulse synth waves and an Enhanced Wave Shape mode that sharpens them up, the Boss SYB-5 Bass Synthesizer travels into new realms beyond the SYB-3. The synth has an onboard effects pedal that lets you hold notes while you play over the top of them. Control filter cutoff and LFO rate via EV-5.
Second Hand. The MXR M-80 Bass Direct Box with Distortion is more than just a direct box. It’s got so many features, you may wonder how you ever did without it! It includes a distortion channel with gain, volume, and blend controls; a noise gate to help keep it clean; a Color control; and 3-band EQ control that lets you dial in any tone you need. It also provides phantom power, and sports a parallel output jack for flexibility in routing. Whether you like it sweet and clean or hot and nasty, this DI does it all!
Second Hand! The anniversary Hot Drive’n Boost mk 3 has a completely new overdrive design that delivers even more authentic tube simulating overdrive than the revered original HDB. It gives you the sound of a tweaked boutique tube amp without affecting your fundamental tone. There’s no midrange emphasis or high- or low-end cut. Equipped with Boost, Level, Wave, and Gain rotary knobs plus Boost and Drive switches to fine-tune and activate your sound. Up to a 20dB boost gives your solos the presence and punch you lust after. A built-in power supply keeps your signal clean. Hand-built in Denmark.
Completely new overdrive design Gives you the sound of a tweaked boutique tube amp without affecting your fundamental tone No midrange emphasis or high- or low-end cut Boost, Level, Wave, Gain rotary knobs Boost and Drive Up to a 20dB boost Built-in power supply Hand-built in Denmark
Second Hand! Mr. White is a compact signal boost pedal with some other features for tonal tweaking. The 2” x 2” box can squeeze its way onto any pedal board. Internal switches activate an optional EQ section. Internal trimmers control bass, treble, and volume. The sound is transparent and responsive.
Second Hand! Going from a Jazzmaster (but sometimes a Tele or SG) into a clone of a Marshall Plexi (but sometimes into a Trinity Tweed Deluxe or vintage Ampeg Gemini). This pedal really is the perfect low gain overdrive/clean boost. It lends a very rich character to your tone and lifts you up in the mix, making your guitar somehow sound both fuller and tighter. Nice vintage tweed style tones without sounding ratty or unbalanced. Especially good placed after other pedals. It does a great job firming up whatever pedals are on before it, working almost like studio mastering on your tone. Again, tighter, fuller, more present in the mix. Phenomenal stuff. I’ve owned/tried just about every BOSS, MXR, Ibanez, Menatone, Skreddy, Fulltone, Frantone, or Throbak Overdrive pedal and many more. T
Second Hand! MXR’s GT-OD Overdrive pedal offers everything you want from an overdrive – like warmth and smoothness – without adversely changing your tone. The controls are easy to manage and make it incredibly easy to find the tone you’re looking for. Within the GT-OD you’ve got access to everything from classic rhythm tones with excellent clarity – there’ll be no muddiness here! For leads, you’ll get harmonically-rich tones that sustain for days. This is one of the most responsive overdrives you’ll find – and the GT-OD is only from MXR!
Second Hand. The MXR Blue Box takes your guitar signal, fuzzes it up, then duplicates it 2 octaves down. You control the output and the mix between the dry signal and the effect. Using it 100% wet is quite an experience, but more recognizable sounds appear as you dial in more dry signal. The Blue Box is known for having a chaotic personality that can make each session a totally unique.experience! Here are just some of the people who are using this box: John 5 – Rob Zombie; Mick Thompson – Slipknot; Munky – Korn; Jimmy Page; Tim Skold – Marilyn Manson; Jay Baumgardner – Producer Zakk Wylde; Geordie White – A Perfect Circle.experience!
Power: Single 9 volt battery or Dunlop ECB-003 AC adapter Controls: Footswitch toggles effect on/bypass (red LED indicates on) Output knob sets total output gain
Second Hand. Mint Condition. The EBS Standley Clarke Signature Wah/Tone Filter is much more than a standard Wah pedal. In fact, the main idea behind it was to simply use it as a tone filter to be able to re-create the sound of Stanley Clarke with a standard passive bass. Oh, and it can be used as a volume pedal, too.Stanley Clarke’s signature tone can be achieved with this signature pedal and a passive standard bass for a lot less than it would cost to purchase an active-electronics high-end boutique instrument. Rise to the levels and spectrum of tone that until now was solely instilled in those high-end bass guitars. The pedal pad is a releaseable secure mechanism that can be adjusted to maintain its position once you to find a desired tone within the pedals frequency sweep. It is also utilized with upright basses not limited to electric basses!The Stanley Clarke Signature Wah is highly flexible as a wah-wah pedal. It does not affect the entire frequency range, like many other wah pedals do, which helps preserve the bottom of your sound while using the effect.
The pedal feature four different preshape pass modes, Low-pass, High-pass, Band-pass and Boosted Band-pass. In addition, it offers controls to adjust the Range and Width of the effect span.As a volume pedal. The pedal has a switch on the side that decides what happens when you switch off the wah effect. One setting simply bypasses the effect, but the other turns the Wah pedal into a Volume pedal when the wah effect is switched off. There’s also an Active/Passive switch on the side, in case you use the pedal with an instrument with active electronics.The EBS Stanley Clarke Signature Wah evolved through collaborative effort with Thomas Lieber of the Spellbinder Corp. USA and Stanley Clarke.
Second hand. Mint condition. The EBS Billy Sheehan Signature Drive pedal for bass guitar brings you aggressive overdrive, built-in compression, and incredibly flexible effects loops for fine-tuning your sound. Separate level controls for your Clean and Overdrive tones let you maintain the clean, solid thump of your low end while adding overdrive, which maintains your note definition. And the Billy Sheehan Signature Drive also has effects loops for both your clean and overdrive tones, so you can add effects to one and not the other. You may not want to play another gig without the EBS Billy Sheehan Signature Drive bass pedal!
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan Maintains thump and note definition by blending clean signal with overdriven signal Built-in compressor has three modes so you can find the ideal response Use Y-cables (not included) to add effects pedals to the overdrive and clean signals separately Internal trim pots adjust compressor threshold/ratio (when used in Mid mode)
The latest pedal from Empress is called the Nebulus which is a Chorus, Vibrato and Flanger pedal in one, but that’s not all, it has 3 submodes per effect and the Vibrato effect has a Vibe and Rotary submode so much more than just the kind of wobbly pitch Vibrato effect you might be thinking of.
The layout is pretty simple, the Mix control allows you to blend the clean signal with the affected signal and then the rate, depth and output controls are pretty self explanatory. Above these controls you have a set of mini toggle switches, the first is the mode selector (Chorus, Vibrato or Flanger), the second is a Submode control (a,b or c), a tone control (Clean, Bright or Warm) and a Special control (none, little or lots) and this control affects different parameters depending on the submode. The way to find out what each submode is and what the special control does is to view what I call the Effect matrix on the bottom of the pedal, Empress users will already be very familiar with this feature as it is used on all multi-function pedals:
Second hand. Amazing condition. 42 is not only the „Answer to the Ultimate Question of Life, The Universe, and Everything“ but also the number of the decibels this little box can crank out… and that’s a MASSIVE boost.
(In fact, 42 db means the signal is amplified 126 times, that’s probably the strongest boost on the market). Although you can use the 42 boost as a normal linear clean booster, its main purpose is to boost distorting amps and overdrive / distortion pedals… and it does the job extremely well.
You can easily push your crunchy rythm sound into high gain lead territory without getting all mud and excessive noise like when you try with another distortion pedal. The low noise / high headroom design of the 42 along with the passive bass and treble controls ensures that all you get is a tight, focused gain boost. Put the 42 in front of your amp or pedal, set the tone controls to full on and the boost at minimum, switch it on and… nothing happens (except maybe some added sparkle to your clean sound due to the high input impedance). Now start turning up the Gain control. Your basic tone doesn’t change but you get more and more distortion, sustain and compression. The 42 stays clean until the Gain control is around noon, then it starts adding some distortion and compression by its own. Every amp or dirt pedal reacts in its own way when pushed (and some don’t like it at all). If the sound gets muddy with more boost, turn down the Bass control and it clears up. If it starts sounding harsh, tame it with the Treble control. Be very careful with the 42 in front of a clean amp, it can get insanely loud!! • handmade in Germany • super strong gain boost • internal electronic voltage doubler for more dynamic range, more headroom and tighter bass • passive low-pass and hi-pass filters to control low-end and treble • looks cool
Second hand. Excellent condition. Just like there are guitarists and then there are guitarists, there are compressors and there are compressors. The JHS Pulp ‚N‘ Peel compressor pedal certainly falls into the latter category, putting dynamics and sustain at your fingertips while adding a distinct flavor to your tone. Recalling a classic vintage design, the Pulp ‚N‘ Peel keeps your tone and attack intact without the squeezed high end and lack of definition that can happen with many other pedalboard compressors. The Pulp ‚N‘ Peel boasts a crazy low noise floor and extreme headroom, which means that you can use it as a boost before or after a fuzz or overdrive
We put the Pulp ‚N‘ Peel through its paces at Sweetwater, and it covered a ton of sonic ground. The jazz guys loved its clarity, the rockers loved the sustain, and everyone loved its transparency. Your rig still sounds like your rig, but with the benefit of top-shelf compression. „Set-it-and-forget-it“ compression The JHS Pulp ‚N‘ Peel’s controls are dead-simple and easy to navigate. Volume and Compression are pretty self explanatory, controlling the output volume and the amount of compression. What sets the Pulp ‚N‘ Peel apart from many other compressor pedals is a Blend control that lets you re-introduce your original signal back into the compressed signal, which is what lets you let your signature sound shine through. JHS pedals are handcrafted tone machines When you plug your guitar into a JHS pedal like the Pulp ‚N‘ Peel, you’re tapping into care and passion that few manufacturers put into their products. Each JHS pedal is hand built and tested by the JHS team in Kansas City, Missouri. Because they design their pedals for specific musical purposes, we’re sure there’s a JHS pedal that’s perfect for any player’s rig. JHS Pulp ‚N‘ Peel Compressor Pedal Features: Natural compression without sacrificing your signature tone Reminiscent of classic vintage compressors Blend control lets you add your unaffected sound into the compressed sound Boosts and sustains with squeezing the high-end
Second Hand. Excellent conditionThe EBS MultiDrive is a Class A overdrive pedal capable of producing sustain, distortion, and tube-style overdrive effects. The mode switch selects flat, standard, or tube-simulation overdrive sounds while the Drive and Volume knobs control the amount of effect and output level.
EBS bass effect pedals are designed to preserve the entire frequency range of your bass signal, use noiseless FET switching, are suitable both for studio and live use, feature robust construction, and are easy to use.
Second hand. Excellent condition. The Electro-Harmonix Metal Muff with Top Boost features 3 powerful EQ bands that are ideal for sculpting mids and a total of 6 controls for shaping sound precisely your way. Top Boost adds serious bite with its own control knob and footswitch button.
- DISTORTION CONTROL — adjusts the amount of input gain.
- The optional 9V power supply from Electro-Harmonix is US96DC-200BI 9.6 volts/DC 200ma. The barrel connector on the front of the METAL MUFF is for the 9-volt battery eliminator capable of delivering 100 mA of current. The inner ring of the 9-volt battery eliminator must be negative, the outer ring positive.
Second Hand. This issue is from the ’80s and is a reissue of the 1960’s fuzz face Hendrix was known to use. Uses discrete transistors, similar to the vintage fuzz pedals. Excellent sound quality, very good condition. Some scratches and scuffs on the bottom of the pedal, otherwise this is a stage ready fuzz for a great price.
Second Hand. Excellent condition. A few paint scratch marks on the corners, but otherwise sounds incredible, with a great build quality.
The Carl Martin DC Drive pedal has a few tricks up its sleeve. Besides the typical Level, Tone, and Drive knobs that control the signal volume, the tone, and the amount of overdrive, Carl has smartly added a clean boost after the drive section, and a Regular/Fat switch. In Regular mode, the drive is crisp and clear, suitable for anything that calls for old-school drive—switch over to Fat and the drive gets thicker with a lot more gain, bringing out a more modern sound. The result is a multi-use guitar pedal that allows you to have a variety of rhythm and solo volumes at your feet.
The Bypass footswitch engages or bypasses the DC Drive pedal—turning it on or off. The red LED lights when the pedal is engaged. When the red LED is on, the Drive knob regulates the amount of gain (overdrive) you want to use—from almost clean turned full left, to high gain turned full right. The Tone knob sets the voicing or color of the overdrive, from dark at full left turn to crystal bright at full right turn. The Level knob simply sets the overall level or volume of the effect. When the red LED is on, choose the amount of Drive you prefer, color it with the Tone knob and then set the Level knob to equal your clean volume, or set the Level slightly higher than your clean signal. Check your settings by turning the pedal on and off with the Bypass switch to compare and fine tune. The Martin DC Drive also offers 2 pre-set voicings, which selectable via the toggle switch located between the Tone and Level knobs. The Regular (REG) setting is more neutral and flat, creating more of a generic overdrive. The Fat (FAT) setting is as it suggests—fatter and beefier, giving your overdrive a shot of steroids. Both of these voicings share the Drive, Tone and Level controls. The Carl Martin DC Drive is also a 2-in-1 pedal. Along with the Drive settings, there is another switch and knob on the left side of this pedal that will add another dimension to your sound. When you step on the Boost switch, the green LED will light, and you will be able to add from 0 to 15dB of crystal clear volume to your signal using the Boost knob. The Boost switch operates independently from the Drive section, so you can boost your clean signal or you can boost the Drive signal without coloring the sound. With the DC Drive you have 4 sounds available to you—your clean signal from the amp, the clean signal with the Boost, the Drive or overdriven signal, and finally the overdriven signal with the Boost. Like the rest of the Carl Martin Vintage effects pedal line, the DC drive comes in that cool retro die-cast housing with the equally cool chicken-head knobs and CM graphics. The pedal can be powered by 9v battery or regulated power supply (not included).
Second Hand. Excellent condition. Righteous Uni-Vibe sounds are yours.
The Lovepedal Pickle Vibe effects pedal is a true bypass pedal with a small footprint and huge sound. Delivers on thick, lush vibe sounds straight out of the sixties.
This is not a copy of the Uni-Vibe circuit, but rather a unique approach to generating those same lush swirling tones.
The Lovepedal Pickle Vibe guitar pedal has speed control on the outside with a large knob so you can turn it with your foot, intensity trim pot on the inside. The trim is a very sensitive adjustment, but once you get it dialed in to taste, it’s set it and forget it.
Second Hand. Mint condition.
For our first foray in to DSP we put our white lab coats on, we listened to a lot of reverb, and then we listened some more. We tore apart reverb tanks to see what makes them unique to create something truly special.
The Spring Theory is designed specifically for guitar. You won’t hear a supposed spring reverb simulation that just doesn’t cut it, or so-called “studio” reverb designed for vocals or drums simply ported to a pedal format as an afterthought. Simply put it’s the most accurate black face spring reverb pedal in existence.
Second Hand. Excellent condition. Add an MXR Bass Chorus Deluxe pedal to your rig and get the shimmering, liquid chorus sound of genuine bucket-brigade technology. More than a typical chorus pedal, the Bass Chorus Deluxe offers a full complement of tone-shaping controls plus crossover and flanger modes. Flanger mode turns your Bass Chorus Deluxe into a creamy, psychedelic flanger with ’60s and ’70s overtones. In crossover mode, the Bass Chorus Deluxe rolls off its modulation effect at 100Hz, adding shimmer to your highs without detuning your lows. Talk about versatility – you’ll be amazed at the tones you’ll get from your MXR Bass Chorus Deluxe!
Second Hand. Excellent condition. The Electro-Harmonix Nano Small Stone Phase Shifter is everything you love about the original Small Stone in a smaller, die-cast package! It’s an effects pedal that delivers full-bodied, three dimensional phasing to add a special swirl to every musical style. Blues boys and babes dig its rapidly rotating speaker effect while Country players use it to add seasoning to their chicken‘ pickin‘. Metal-heads and Industrialists dig the Stone’s jet plane woosh. No matter what your musical pleasure, the Nano Small Stone Phase Shifter is guaranteed to increase it!
Second Hand. Excellent condition. Got the digital blues? Coat your guitar in warm, organic tone. The Electro-Harmonix Analogizer Guitar Effects Pedal thaws out digitally processed guitar, and gives you the sound and feel of an analog delay without the long delay times. Boost your solos with up to 26dB of gain. Fatten your sound. The Analogizer is the antidote to harsh and lifeless sounding digital pedals.
Second hand. Excellent condition. The RC Booster offers a super transparent 20db+ clean boost with an adjustable ±15dB two band active EQ that adds a wide range of harmonic content to your ideal sound. As a clean boost, it can enhance other pedals, such as „overdrive and distortion pedals,“ or you can crank the gain for a „crunch“ sound. But, the RC Booster is so extremley transparent that many players find they leave it on all the time. It also features true bypass for eliminating any signal interference when switched off.
Second Hand, Mint condition. Glitch, Pitch, Echo, Modulate
The most original and versatile release from Recovery Effects to date. Unlike any effect you’ve heard before, it offers mountains of wild modulation, delay, freeze and stutter. Anything from light lo-fi chorus to broken-tape-deck sounds can be achieved with this unique pedal. Melt, then freeze tones in place, or use it as a gritty echo or faux reverb.
The Cutting Room Floor is point-to-point hand wired, with no printed circuit board. Chrome plated LED. lead-free solder, and U.S.A. parts whenever possible. It operates on a standard Boss style 9vdc power supply (not included), or 9 volt battery.
Second hand, mint condition. The Uni-Vibe, the product that embodies the rotating speaker simulation, can now be authentically heard once again in the Moollon ReVibe.
The light producing bulb, reflecting mirror cover, light/darkness-receiving photocell, and vintage-spec transistor make up the core parts of the ReVibe, and an exact design replication of the legendary Uni-Vibe means a true rebirth of the original, as proven in the foundational parts: the high efficiency miniature CDS and custom made-to-order mirror cover. The unique vibrato and supple feeling that the ReVibe adds to a guitar range of tones sets it apart from every other Uni-Vibe clone on the market, in that this is the first true recreation of the original.
From sweeping, phaser-like dreamy chorus tones naturally emanating from the guitar“s natural low-mid range resonance to a fast rotating speaker simulation, a wide spectrum of tonal possibilities are made available. Producing a well-balanced timbre without leaning heavily toward either low or high frequencies, the Moollon ReVibe will prove to show the true tonal essence of the original vibrato pedal.
Second Hand. Mint Condition. The pedal achieves sounds ranging from the classic auto-wah to your own unique space-bass or ”Funkadelic” sound. It features controls for threshold and attack, and runs in three different modes, Hi-Q, Up and Down. The BassIQ with the unique Down mode set can be used along with an EBS OctaBass to achieve a synth-bass sound.
Evolution. The BassIQ was first introduced at the millenium shift. From the 2008 edition improvements added 3 dB higher headroom, higher sensitivity (makes it easier to dial-in) and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. More than meets the eye. There are several trim pots inside the BassIQ. Such as High-pass filter mix-in, Gain trimmer and Dynamic high-pass filter mix-in.
Second Hand. Mint Condition. It’s both a treble boost and a full-range boost. The treble boost pumps treble and upper mid frequencies like a vintage Treble Boost pedal. In full-range mode it enhances all frequencies and is a great way to kick a slightly overdriven amp into heavy drive. A gain knob varies the overall gain from mellow to full rip and a tone knob lets you tweak the EQ. Features a true bypass for unaltered tone when not activated.
Voodoo Lab’s Tremolo pedal delivers authentic vintage tube amp tremolo sounds from gentle and warm, to machine gun-style insanity all in a single pedal. By using the same lamp and photocell assembly found in many classic tube amps, Voodoo Lab’s Tremolo gives you real analog tone right from a compact 9V stomp box!
By using the inventive Slope control, you can change the shape of the tremolo waveform from traditional to full on stuttering madness and all points in-between. Speed and intensity controls provide a wide range that includes very slow and deep sounds, and the Volume control lets you cut or boost the overall output to your amp.
Authentic lamp and photocell tremolo circuit Slope control for waveform tweaking Ultra wide range of Speed and Intensity settings Compact, pedal board friendly size True bypass switching with LED Runs on a 9V battery Hand built in the U.S.A.
Second Hand. Very Good condition with some scratches. Original Karton included. The Morpheus Bomber gives your guitar Instant polyphonic pitch shifting, creating full chordal string bending as well as full five-octave dive bombs!
The Bomber pedal utilizes propriety polyphonic pitch-shifting algorithms to bend all of your strings with stunning accuracy—replicating all of the stunning effects produced by mechanical tremolos as well as some new and exciting tricks.
The BOMBER pedal’s innovative design strikes a perfect balance between control and ease of use. No more bending over to change pedal settings. Select a range from two octaves up to five octaves down by simply using your foot.
Second hand. Mint condition. The EBS MultiComp is a high-performance, true dual-band analog compressor pedal. It gives discerning bassists a choice between rack-quality solid state, tube simulation, and multi-band compression modes in a stage-ready pedal format. It has a compression level knob, gain level knob, and an active/passive signal switch.
EBS bass effect pedals are designed to preserve the entire frequency range of your bass signal, use noiseless FET switching, are suitable both for studio and live use, feature robust construction, and are easy to use.
Analog compression for bass guitar Solid state, tube simulation, and multiband modes Compress/Limiter level control knob Gain control knob Active/passive bass signal switch Preserves entire frequency range of signal Noiseless switching The kind of compression you’ve heard on your favorite records in a package rugged enough to play all your bar gigs. Order now! SPECIFICATIONS MultiComp True Dual Band Compressor Pedal Nominal input level: -8 or -20dBv (active/passive) Input Impedance: 200 Kohms Bypass Bandwidth (+0/-2dB): 20-20kHz Gain range: 0-15dB min. Compressor Ratio (min/max): 1:1-5:1 Threshold: -25-+6dB adjustable inside Attack Time (80%): <10 ms Release Time (80%): typ. 100 ms 4.5"W x 2.8"H x 1.4"D (70 x 115 x 35 mm) 1 lbs. Power requirements: 9V DC regulated, 10 mA
Second hand. Mint Condition. Send your bass amp over the edge with the EBS FuzzMo Ultra High Gain Distortion Pedal. As its name implies, the FuzzMo delivers tons of gritty distortion to your signal. A Blend control lets you mix the amount of clean and dirty signal that leaves the pedal. Dial in your ideal tone with the Shape control and the 3-way Character control. And the pedal aficionados at Sweetwater love the fact that the EBS FuzzMo is true bypass, which means your signal won’t be colored when the pedal is turned off. If you’re looking for an outrageous fuzz tone for your bass, then you need to check out the EBS FuzzMo Ultra High Gain Distortion Pedal!
Fuzz pedal designed with the bass guitarist in mind Blend control lets you mix your clean and dirty signals to taste Character switch/filter lets you choose flat, subtle, or heavy mid-scoop True-bypass design eliminates the dreaded tone suck while the pedal is off Rugged metal housing Uses 1 x 9V battery or optional adapter (sold separately)
Second Hand. Excellent condition. Very natural string sound
Cleans up very well with my guitar volume – this is key for me
Very expressive and dynamic in your hands
Never too bright
Good details on the wound strings at all points on my guitar’s volume knob range.
interacts with my wah and modulation pedals well
Second Hand. Mint condition. The Billy Sheehan Signature Drive pedal was developed by EBS in close co-operation with Billy himself. It is based on the concept of mixing together a clean signal with a distorted to be able to preserve low frequencies and find balance between distortion and definition.
The option to add compression makes it possible to keep the note differentiation clearly audible even at heavily distorted sounds. There are three modes for the built-in compressor; High, Mid and Off. For the Mid setting, there’s an additional trim pot inside to set the level. There’s also a trim pot to set the Threshold for the compressor.
Clean Loop, Drive Loop – Endless possibilities! The Billy Sheehan Signature Drive offers unlimited pre-post mix tone shaping by including a clean loop and a drive loop. It lets the user insert any other effect they wish within each loop to create your own signature effect! For example, connect an external EQ to the Drive Loop and shape the character of the distortion any way you want, or turn off the built-in compressor if you prefer to use a different type of compressor and put in the Clean Loop. Controls With the new extended size box from EBS, there are controls for Drive (gain for the overdrive engine), Tone (sets the frequency scoop for the drive), Level (sets level for drive channel post Drive Loop and pre final compressor) and Clean (sets level for the clean channel, post Clean Loop and pre final compressor). FEATURES Drive, Tone, Level and Clean controls. Three Compressor Modes – High, Mid, Off Clean Loop and Drive Loop (connect a Y-cable for send and return). Type: Analog Effect, Mechanical Switching 9V DC (Battery or Power Supply) Sound like Billy today. Order now! SPECIFICATIONS Billy Sheehan Signature Bass Pedal Nominal Input Level – 8 dBv Input Impedance 700 kohms Gain Range Drive 20 – 40 dB Tone Filter Range 175 – 4500 Hz Q 0.6 Nominal Loop Level -8 dB Output Impedance Loops 2 kohms Input Impedance Loops 47 kohms Mix Level Drive Channel +3 dB max Clean Channel +6 dB max Compressor Ratio 5:1 (max) Threshold -25 +6 dB Attack Time (80%) < 10 ms Release Time (80%) 100 ms typ Makeup gain 0, +3, +6 dB Output Impedance < 100 ohms Dimensions W x H x D 3.5" x 4.5" x 1.4" (90 x 115 x 35 mm) Weight 480g (1.07 lb.) Type Analog Effect, Mechanical Switching Power Requirements 9 - 12 V DC Regulated, 15 mA max*
Second hand. Mint condition. The Two Notes Le Bass electric bass tube preamplifier pedal is engineered to move your electric bass rig to the floor. This tube-driven device boasts two independent preamps that are footswitchable and can also be blended together to taste. These preamps nail all the tones that modern bassists demand. A free download of Wall of Sound III speaker simulation software gives you the high-quality sound of a full bass rig. And there is a ton of I/O onboard the Le Bass preamp pedal for MIDI, running direct, headphones, and so much more.
Dual independent tube preamps Wall of Sound III A powerful set of I/O options Dual independent tube preamps The heart and soul of the Le Bass are the two fully independent and footswitchable tube preamps. These preamps are voiced to give you the character of clean and driven bass amplifier tones. Preamp A is clean, clear, and extremely fast, while preamp B adds more grit to the sound, maintaining a tight low end. The two footswitches let you select either sound or blend them together to taste in Fusion mode to pile on even more gain that can take you into high-gain and fuzz territory. And bassists at Sweetwater love the fact that the pedal interacts with your bass just like a great amp. Wall of Sound III Along with these great-sounding preamps, you’ll receive a free download of Two Notes‘ Wall of Sound III speaker-cab simulation software. Highly regarded in the industry, you’ll be able to send Le Bass’s tones direct to the board with the benefit of your choice of simulated speaker cabinets, microphones, and power amplifiers. Wall of Sound III also lets you mix and match cabinets and microphones, and position the mics to get your optimal tone. Running into an amp live? Just push the SPKR SIM button and defeat the simulation. A powerful set of I/O options The Le Bass preamp pedal boasts enough I/O to integrate easily and quickly into even the most complicated of electric bass rigs. An effects loop lets you place your time-based stompboxes after the preamp. The DI Output is optimal for sending your signal direct to the board for live performance or recording. MIDI in and out are perfect for control of external devices. And the Thru jack sends your unaffected signal to an onstage amp if you choose. An 1/8″ headphone output lets you get all of this power while silently practicing. Two Notes Le Bass Electric bass Preamplifier Pedal Features: Fully featured tube electric bass preamp pedal Designed around the tonal needs of a modern bassist 2 blendable preamps are fully footswitchable Free Wall of Sound III software for cab and mic emulation MIDI in and out Effects loop for patching in time-based pedals DI output Unaffected Thru output Headphone output for silent practice
Second Hand. Excellent condition. Netzteil included. The compact ToneLab ST Modeling Effects Processor from VOX offers 33 different amp models with a versatile array of cabinets and effects to take your guitar playing to the next level”wherever you go. With a real 12AX7 tube and Valvetronix technology, ToneLab ST pedal delivers, pro-level, true-tube sound.
Designed for mobility, the compact ToneLab ST is made for guitarists on the go. The rugged metal body will stand up to life on the road, and the expression pedal carries on the fine tradition of VOX wah pedals.